Published authors, agents, publishers or authors coming via agents, please contact me directly to talk about the best way we can work together.
Since 1998, I’ve worked as a book doctor for a wide range of authors, with experience ranging from absolute beginners to an established TV scriptwriter and a Booker Prize shortlisted novelist
As well as giving detailed feedback and advice on manuscripts, I also work as a writers’ mentor for new authors, and especially love the process of brainstorming and developing works in progress. I can also advise you on the best way to approach an agent.
I’m comfortable working in genres as diverse as literary fiction, biography, historical fiction, fantasy, romance, crime and mystery, as well as non-fiction. I also understand how to convert fan-fiction into a novel, and can help you get it right.
Previously, I was a journalist and editor in the music business, and have written and edited scripts for broadcast, entertainment news, album sleeve notes, and features.
Author of Tipping The Velvet, Affinity, Fingersmith, The Night Watch, The Little Stranger & The Paying Guests.
Sally was one of the earliest readers of my first novel, Tipping the Velvet, while it was still in draft form: she gave me brilliantly helpful feedback, encouragement and support, and really helped to keep me committed to the book in the face of the various rejections I was receiving from publishers and agents. Since then, Sally has been my book doctor and has seen early drafts of all my novels, and her astute, sympathetic readings have never failed to inspire me. She’s a wonderful critical reader and a great communicator. I heartily recommend her to any writer in need of honest, constructive feedback on their work.
Musician, writer, artist & author of Clothes Clothes Clothes Music Music Music Boys Boys Boys and To Throw Away Unopened.
Sally was the very first person to read the very first chapters I wrote for Clothes Clothes Clothes Music Music Music Boys Boys Boys. She was kind and firm. She understood all my references from Lucozade bottles to masturbation. When I was scared or despondent I called Sally and she talked me back to a place where I felt confident enough to keep writing. Sally was my champion and my confessor and I’m so glad she has said yes to doing it all over again for my next book.
From the Acknowledgements for To Throw Away Unopened: “Special thanks to Sally O-J, my first reader and a constant guide and rock throughout the writing of this book.”
British voice coach, author, and theatre director.
“Sally is a brilliant editor. The best I have worked with.
She honours the writer- which is rare- and serves your ideas and heart with kind diligence. Sally is on your side. But there is more. Her skill with structure and language is enormous and quite simply uses her mind, heart and spirit to tell your story in your voice. I am most grateful to her.”
Sally O-J offered the most precious of elements to me as a writer who’d been grappling with her first novel for four years and was losing patience and perspective. I’d been reading the same lines over and over again and was riddled with self doubt. She boosted my confidence, helping me to fall back in love with my characters, offering valued guidance for where to tighten the plot, and shone a light on various anachronisms that had slipped through the net. Essentially, it was Sally’s palpable enthusiasm that gave me the boost to push through and get the final draft of The Flames finished, which in turn led to me securing my dream agent and landing a two-book publishing deal with Doubleday. Sally is a joy to work with, and exceedingly generous with her time and insights.
Sally : I was very lucky to work with Sophie through my work with The Literary Consultancy
Author of Under the Light of the Italian Moon
“Sally was such a tremendous part of getting to a manuscript that I was proud of for Under the Light of the Italian Moon. After fourteen years of research, I lacked the confidence and knowledge to strip back to the heart of the story and hone some of the telling vs. showing. As an editor, Sally was able to read through the roughest stage of my manuscript and provide clear direction that I could execute to move my manuscript from where it started to something closer to the finished product. Her care, listening and emotional support helped get me to publication and a novel I am thrilled to present to the world! Grazie mille Sally!”
I used Sally’s services through TLC’s manuscript assessment five years ago. I’d knew my book lacked a certain something but had been struggling to discover what that actually was. I also had several plot and character related questions wanted to ask a professional – someone who didn’t know the book at all – and her track record made her the perfect person.
Sally’s report was a game-changer for me. I was amazed at the detail and depth of her comments and can honestly say that without her insight and invaluable advice my book would never have been published. She sent me pages of comments that helped me see the way through and motivate me to getting it done. As well as seeing what was needed in the book, she saw its strengths and helped me realise that it was worth persevering and that my dream – of getting published – could be a reality if I was willing to put in the work.
As I rewrote and rewrote, I kept Sally’s comments on my desktop and referred to them constantly. A couple of years later, the same novel was noticed by Hachette’s Future Bookshelf initiative and I was offered a publishing deal with Hodder & Stoughton, and also got an agent, Abi Fellows at the Good Literary Agency.
I’d recommend Sally to anyone who wants an honest, professional, in-depth assessment of where they really are with their work in progress and what they need to do to make it fit for publication.
Sally: It was a pleasure to work with Eleni on her first book in my capacity as a reader for The Literacy Consultancy